This really made my New Year a bit better. Although I had very limited resources, I still won as one of the runners-up. Thank you to Jupiter Suites! Thank you, Lord! :)
http://www.ilovemakati.ph/2010/01/winners-i-love-makati-video-contest.html
Sunday, February 7, 2010
The TRUTH About "Posible"
(This may be too late already but I still want to post this here to show the truth about the "Posible" controversy that was blown out of proportion.)
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Taken from Mr. Dennis Garcia's Facebook Note dated January 11, 2010:
http://www.facebook.com/note.php?note_id=244750944434
I am a painfully shy person and this incident has given me extreme (and undeserved) irritation and anxiety. But I have always told my kids – never back off from a fight when you know you are right.
And so… my side.
I have been doing creative work for political clients for nearly two decades. At every opportunity, I make it a point to recommend that my clients use Original Pinoy Music. More often than not, OPM tends to make a campaign material ‘feel good’ and creates a connection with the audience much, much faster. What’s even nicer, it helps rekindle fondness for Original Pinoy Music whose rise to popularity I am proud to be a part of (with my band HOTDOG).
And I have unleashed this passion for OPM every election season. There was “Umagang Kay Ganda” for a Joe de Venecia TV ad in 1998. And the unforgettable “Mr Palengke” in 2004, Mar Roxas’ battle hymn adapted from a Parokya ni Edgar song. In 2007, there was Alan Peter Cayetano’s “Ito ang Gusto Ko” adapted from Francis M’s classic ditty. Same year saw Darlene Custodio knock out Pacman with “Bongga Ka ‘Day”. And the list goes on and on…
Recently, I was tasked to score the music for a Gibo Teodoro TV material. Given a free hand to use whatever music (existing or original) I want… I opted to go OPM.
I chose a gem I heard extensively during the SEA Games in Manila a few years back. The song was "Posible"… and I tracked down the artists and the publisher through my Viva friends.
The publisher turned out to be Ms. Lizza Nakpil. I had the paperwork prepared, the details spelled out… and paid the agreed-upon license fees (one of the perks of my being a composer is the fact that I tend to get charged much, much cheaper fees. Of course, the savings are always passed on to clients. Friend's price!).
I recorded the tune with the intention of staying faithful to the inspiring spirit of the song – with just one, solitary lyric change… ‘Gibo’ instead of ‘Laban’.
Everyone involved was happy with the results. The music, though merely there for setting the mood, was a great fit.
However when the TVC aired… a million speculations and conspiracy theories were hatched.
Each one – wrong.
No. The song was not illegally used. (I’m one of the staunchest defenders of Intellectual Property Rights – and will fight for its enforcement… patayan kung patayan.)
No. The song was not created to make it appear the band was endorsing the candidate.
No. We didn't hire a sound-alike to fool people. (The singer is one of my in-house talents who NEVER mimics other voices)
No. Gibo was not ignorant of IPR laws. (A trusting soul… Gibo left things up to me – showing a complete faith in my judgment, in my knowledge of how to be fair to my fellow musicians and songwriters… and in my inherent desire to always push for Original Pinoy Music.)
Through my nephew Toti Dalmacion, head of Terno Records, I relayed all these points to Rico Blanco (front man/creative guru of Rivermaya) who was being bombarded by tweets that mostly peddled innuendos. He listened and showed appreciation for the facts… and the truth.
I set a meeting with him on Jan. 6 to clear the air and correct any misconceptions. And he readily accepted. On the appointed date, he said there was no need to meet... that he knew there was no bad faith involved and that I should just inform his management team at Warner Music about the license.
Not content with just a phone call, I took pains to have the license sent to Warner Music’s offices on Jan. 7 for their review. (This completely creates doubts about Warner Music’s assertion in their press releases on Jan. 8 and 9 that “all it would have taken was phone call” to fix the matter.)
With the combative actions of Warner, I contacted Lizza to provide me with additional supporting papers for the song… which she did.
I now wonder what motives are behind this whole episode. There was never an instance of bad faith. Why penalize a diehard supporter of OPM? Why so many press releases? Why target Gibo ruthlessly?
But what worries me more is the fact that this incident will needlessly scare candidates from using Original Pinoy Music for their campaigns.
Goodbye, OPM. Hello… ‘nobody, nobody but you’.
----------------------------------------------------------------------
Taken from Mr. Dennis Garcia's Facebook Note dated January 11, 2010:
http://www.facebook.com/note.php?note_id=244750944434
I am a painfully shy person and this incident has given me extreme (and undeserved) irritation and anxiety. But I have always told my kids – never back off from a fight when you know you are right.
And so… my side.
I have been doing creative work for political clients for nearly two decades. At every opportunity, I make it a point to recommend that my clients use Original Pinoy Music. More often than not, OPM tends to make a campaign material ‘feel good’ and creates a connection with the audience much, much faster. What’s even nicer, it helps rekindle fondness for Original Pinoy Music whose rise to popularity I am proud to be a part of (with my band HOTDOG).
And I have unleashed this passion for OPM every election season. There was “Umagang Kay Ganda” for a Joe de Venecia TV ad in 1998. And the unforgettable “Mr Palengke” in 2004, Mar Roxas’ battle hymn adapted from a Parokya ni Edgar song. In 2007, there was Alan Peter Cayetano’s “Ito ang Gusto Ko” adapted from Francis M’s classic ditty. Same year saw Darlene Custodio knock out Pacman with “Bongga Ka ‘Day”. And the list goes on and on…
Recently, I was tasked to score the music for a Gibo Teodoro TV material. Given a free hand to use whatever music (existing or original) I want… I opted to go OPM.
I chose a gem I heard extensively during the SEA Games in Manila a few years back. The song was "Posible"… and I tracked down the artists and the publisher through my Viva friends.
The publisher turned out to be Ms. Lizza Nakpil. I had the paperwork prepared, the details spelled out… and paid the agreed-upon license fees (one of the perks of my being a composer is the fact that I tend to get charged much, much cheaper fees. Of course, the savings are always passed on to clients. Friend's price!).
I recorded the tune with the intention of staying faithful to the inspiring spirit of the song – with just one, solitary lyric change… ‘Gibo’ instead of ‘Laban’.
Everyone involved was happy with the results. The music, though merely there for setting the mood, was a great fit.
However when the TVC aired… a million speculations and conspiracy theories were hatched.
Each one – wrong.
No. The song was not illegally used. (I’m one of the staunchest defenders of Intellectual Property Rights – and will fight for its enforcement… patayan kung patayan.)
No. The song was not created to make it appear the band was endorsing the candidate.
No. We didn't hire a sound-alike to fool people. (The singer is one of my in-house talents who NEVER mimics other voices)
No. Gibo was not ignorant of IPR laws. (A trusting soul… Gibo left things up to me – showing a complete faith in my judgment, in my knowledge of how to be fair to my fellow musicians and songwriters… and in my inherent desire to always push for Original Pinoy Music.)
Through my nephew Toti Dalmacion, head of Terno Records, I relayed all these points to Rico Blanco (front man/creative guru of Rivermaya) who was being bombarded by tweets that mostly peddled innuendos. He listened and showed appreciation for the facts… and the truth.
I set a meeting with him on Jan. 6 to clear the air and correct any misconceptions. And he readily accepted. On the appointed date, he said there was no need to meet... that he knew there was no bad faith involved and that I should just inform his management team at Warner Music about the license.
Not content with just a phone call, I took pains to have the license sent to Warner Music’s offices on Jan. 7 for their review. (This completely creates doubts about Warner Music’s assertion in their press releases on Jan. 8 and 9 that “all it would have taken was phone call” to fix the matter.)
With the combative actions of Warner, I contacted Lizza to provide me with additional supporting papers for the song… which she did.
I now wonder what motives are behind this whole episode. There was never an instance of bad faith. Why penalize a diehard supporter of OPM? Why so many press releases? Why target Gibo ruthlessly?
But what worries me more is the fact that this incident will needlessly scare candidates from using Original Pinoy Music for their campaigns.
Goodbye, OPM. Hello… ‘nobody, nobody but you’.
[a scanned copy of the copyright was inserted in this portion - please refer to the Facebook Note link above]
PS. I expect a sincere apology from Rico Blanco and his music label. I also intend to file a case of piracy of my lyrics for the songs "O Lumapit Ka" and "Ikaw Pa Rin" which Warner Music brazenly used without remuneration and permission. Hey guys, practice what you preach.
A publisher and his/her artist should settle their differences... and not penalize or harass clients who have no inclination to be part of the mess...
-----------------------------------------------------------------
Obviously, this is contrary to Warner Music's press release that Mr. Dennis Garcia didn't even bother to make a phone call. Geessshhh.... :(
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